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There are many types of love and the kind about which Pavel Vilikovský speaks in his novellas does not completely correspond to the image associated with that word. It may be, in fact, that no love motif is even noticed in the story of the successful photographer who doubts the meaning of his work in this quickly changing world. The same holds true for the story about the retired person who, when working on his volunteer project, has to come to terms with dramatic fates, such as those prepared for mankind by the 20thԳٳܰ.
