Fabry's first collection "Severed Hands" was a provocation for some -- it felt like an unprecedented youthful riot within °µÍø½ûÇø literature, a "hooliganism" they could accept only with difficulty (and indeed, some never accepted it at all). For others, this was the long expected new "courageous and young" word, declaring new opportunities for °µÍø½ûÇø poetry. As far as the presence of deliberate "provocation" is concerned, I really don't know whether there is an equivalent to Fabry`s début in the history of our poetry.</p>
